cultural globalization "
or
ACCESS TO POPULAR CULTURE?
All we learn what happens everywhere. Paradoxical and coincidentally, if a cultural event happening in the corner house, scheduled for Facebook, and relive on YouTube, if it happens thousands of miles, the road is almost the same. This omnipresence becomes almost synonymous with accessibility to world culture. The concept of globalization through these tasks, and when optimism is about to close this claim of hypotheses, the voice of Leon Gieco, from a pirated CD with Ares, he sang: "- In this globalization / all the balloons burst ...! " (Lord Durito and I)
Well, do not argue that accessibility, through new technologies, is favored. Sure, if you have a power supply in your home, a PC and an Internet connection fees. Continuing with the paradoxes, it seems that those who have it all, choose a large scale, with such resources at your fingertips, check out daily files that show a certain Ricardo disrespecting Fort Che. And I said mass, and mostly not: massive, amorphous as a whole difficult discrimination between eligible and choosing. Majority would give me the appropriate adverb to qualify to the sum of individuals judicious criticism and to match the choice of cultural property, its quality and representativeness, and not for their persistence by dint of repetition.
Well, we're getting to GLOBAL MAJORITY. The dilemma is the opposite edges of the first camouflaged purpose and legitimacy of the latter states.
There is no guarantee that Global does not intend to install only the dominant culture. However, if there is no guarantee that the majority is the sum of individuals that claim from the popular field, learn, apprehend and enjoy diversity of languages, as long as fostering contact with them, knowledge of codes and spaces that self-ownership.
When I see that in my town, a hundred thousand theater locations is filled three times in order I feel that one week window has opened fresh air. Those who have Internet access again and got to see the bright cyberinvitación INTERNATIONAL BALLET ARGENTINA COSTA, but also happily agreed from posters in schools, community and cultural centers all the components of OUR TOWN. Entire families in contact with the language of dance in all its aspects (classical, contemporary, traditional, stylish, fusion) with live music and FREE. In the same tune, and in the same month, the presentation of the CORO MUNICIPAL DE LA COSTA with OPUS CUATRO, in a musical unprecedented to complementarity between artists renowned local professional musicians such as Marcelo Rodriguez and Master coreutas our walkers, art and vocational committed way.
I enjoyed it and I will certainly revive on You Tube, but the important thing is that all agreed on a natural RIGHT PEOPLE TO ARTS AND CULTURE, without the economic cost was a hindrance and understood as a majority and not as a mass .
I started with a question. I think it is solved.
Prof. Graciela M. Teaching
Gutiérrez Party
Coast Member of the Association LA Jauretche
La Costa
I dedicate this article the Companions
Daniel Blanco, Hernán Pacheco, Vanessa Ramos and Monica Ortiz,
Jauretcheana presence in popular culture
in our beloved Party of La Costa.
Companion also Juan Pablo De Jesus as mayor promote
CULTURE that reaches everyone.
LINKS:
BALLET VIDEO:
http://www.youtube.com/watch?v=1A33V1XRiUw VIDEO CHORUS:
http://www.youtube.com/watch?v=8w03jn1gDkY Press
http://www.pepser.es/esp_argentina.html http://gestionenlacosta.blogspot.com / 2009/12/el-coro-municipal-opus-cuatro-y-oscar.html
