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F51.4 video of the play MACBETH II

Due to some problems I have with Blogger able to embed the video of the play MACBETH F51.4 in the previous post, so I created this new one.

RITUAL
To McDuff interior construction of my character in a scene that I left work in the trials. The director offered me a "ritual" of preparing to confront Macbeth. I worked with the idea of \u200b\u200bpurification before the battle. " Chains of movement, poor balance, challenge and risk (using a real sharp ax), I was putting together a sequence. I decided to go naked, both to show the metaphor of the fragility of McDuff as vulnerable as an actor and increase my alertness and concentration. Enhancing the relationship between word and image my psyche, I added a text of great Peruvian poet Cesar Vallejo:

"(...) But before all this is over
said, lose dams,
Take him far, and if it exceeds your gesture; rebásala, sees
if it is lying on your extension. Well
know it by its key, although
not know, sometimes, if that
walks alone, leaning on your misfortune
or tolled, just to please you, in your phalanx. Well
only know it, alone, lonely
of wisdom.
In your ear cartilage is beautiful
and why I write, I ponder:
not forget about your dream thinking you're happy,
that is a fact that deep when it ends
but on arrival, took a chaotic
dead horn aroma. Whistling
your death, the stone
hat, white
, ladeas to win your battle of stairs,
stem soldier, philosopher of the grain, mechanical sleep.
(Did I perceive, animal?
"let me compare how big?
no answer and look me
quiet through the age of your word.) Skirting
and your happiness, will
to cry out your tongue, to dismiss her,
so unhappy that last.
past, will end violently,
toothed stamp flinty,
and then hear how
and then ponder how you will touch my shadow is it stripped, and then
smell like I suffered. "

It was not just a struggle for self -statement by the fear he experienced in his weakness in having to confront the tyrant, but a sweet farewell to his beloved Lady McDuff (Alicia Gomez), in the act of being washed and dressed for her before he left, because they sense that o not be seen again.

Without Surely, this was one of the jobs I have taken them further in the investigation of myself in relation to the construction of a character and the risk of exposing the scene.

Now, video:

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video of the play MACBETH

In September 2003 the company premiered in Madrid THE pimp this adaptation of the Shakespearean classic in a version very sui-generis. The Argentine Gabriel Molina (director and psychologist), we proposed from the beginning an atmosphere dark where all the characters have gone into a state of insomnia from the hubris the tyrant Macbeth to seize power after spilling blood.

The title "F51.4 MACBETH" denotes the nature of psychopathy identified in psychiatric international code on the index F51.4 as "terrors night ". Individuals suffering from this disease have difficulty sleeping and constant hallucinations that end up destroying the ability of rest. Based on this idea we made the character of each character. The kingdom is in Candle and the only remedy is to annihilate the "spell" that has settled over Scotland with the arrival of Macbeth to power.

The weapons of war were daily sharps (axes, knives, sickles, pitchforks etc.). Elements close to any citizen, denoting the danger or the "double edge" behind the psyche of every human being ("Freudian" apart).

For the costumes, working with collective proposals and suggestions Benani Kenza costumer, but later was I who gave a definitive line to the clothing (on all the male characters). We talked about the decadent aesthetic we wanted, but also a point that we needed to bring us to the contemporary without rubbing in the obvious. We decided to work with leather, so for weeks we were collecting used clothing of this material. We saw the risk of appearing to other proposals and widely used (eg MAD MAX or STAR WARS), where symbols and designs come together easily recognizable by the subconscious. At this point I decided to study the traditional costumes of the Scots warriors of the time. With this inspiration I took an old leather jacket that my friend Richard gave me the day I left Barcelona to search for life in Madrid. It was a subject dear to me for all the implications that had, for joining me in the first, difficult weeks of my arrival in this city four years ago. Without neglecting the original design of the pieces, I was tearing at each side, leaving only unions in certain places to transform the old jacket on a coat eighties war. The arms ended up being the top of boots or shoes shin guards that extended to the knees, sewn onto the legs of trousers cut olive green guerilla (another former sidekick) and gave my character (McDuff) a air of rebellion, in contrast with the tight jeans garnet color Macbeth (Agustín Tomás Soria) and jackets as it transformed both Banquo (John Aguilar), in black.

For me it was a great pleasure to discover how a garment could give new meaning to everyday life in a theatrical costume appears to be of an era lost in time. I still top of my "battle dress" and the clasp that held the end of the neck, consisting of a brass piece that was part of a belt of my ex-partner Itzel, and which also armé part of the story of my character. When I studied the costumes of the era and later, I learned that men who started the battle, despite being poor, tried to carry a buttercup to-if-perish in combat, be transferred to their land and buried with dignity by covering expenses that button. Thus was born the idea of \u200b\u200bproviding McDuff of this brooch.

The metaphor of the transformation of old and worn my clothes in the garb of a warrior, gave me a very peculiar momentum that was developed during the trials in the axis of the outer structure of my character. A seemingly weak vassal (fragile, thin as my constitution), ended up being the engine of the rebellion, supported by the murdered king's son, Malcolm (Iñigo of the Church).

Soon I will offer you the video of my participation in this production.

Mens Designer Luggage

F51.4 video of the work complete short

Hi

Here I am back after a month without posting.

The truth is that my last days in the "mother country" were very active. working, visiting friends, renewing common b. Links must be found.

Back home I found that the rains had washed away with the last roof waterproofing Aleyda room, so we had to get down to work with the repair.

already installed again in my city, I work to pick up the pace of work, and of course the publication of this blog.

Here we serve (at last) the images edited excerpts from my collaboration in the work COAST, which canceled some saw the possibility of a comeback in the Hellenic theater this year as scheduled. I think for those who did not see it, this is now the only way to show them what was the job.

I put here some interesting links to various sites that we did review of the past two seasons:

http://teatropanico.blogspot.com / 2006_05_01_archive.html

http://www.filmeweb.net/magazine.asp?id=487

http://www.lacuartapared.com/01Abril_2007/litoral.html

And of course the video:

Enjoy!