Causes Of Swollen Lymph Nodes In Ovaries

F51.4 video of the play MACBETH II

Due to some problems I have with Blogger able to embed the video of the play MACBETH F51.4 in the previous post, so I created this new one.

RITUAL
To McDuff interior construction of my character in a scene that I left work in the trials. The director offered me a "ritual" of preparing to confront Macbeth. I worked with the idea of \u200b\u200bpurification before the battle. " Chains of movement, poor balance, challenge and risk (using a real sharp ax), I was putting together a sequence. I decided to go naked, both to show the metaphor of the fragility of McDuff as vulnerable as an actor and increase my alertness and concentration. Enhancing the relationship between word and image my psyche, I added a text of great Peruvian poet Cesar Vallejo:

"(...) But before all this is over
said, lose dams,
Take him far, and if it exceeds your gesture; rebásala, sees
if it is lying on your extension. Well
know it by its key, although
not know, sometimes, if that
walks alone, leaning on your misfortune
or tolled, just to please you, in your phalanx. Well
only know it, alone, lonely
of wisdom.
In your ear cartilage is beautiful
and why I write, I ponder:
not forget about your dream thinking you're happy,
that is a fact that deep when it ends
but on arrival, took a chaotic
dead horn aroma. Whistling
your death, the stone
hat, white
, ladeas to win your battle of stairs,
stem soldier, philosopher of the grain, mechanical sleep.
(Did I perceive, animal?
"let me compare how big?
no answer and look me
quiet through the age of your word.) Skirting
and your happiness, will
to cry out your tongue, to dismiss her,
so unhappy that last.
past, will end violently,
toothed stamp flinty,
and then hear how
and then ponder how you will touch my shadow is it stripped, and then
smell like I suffered. "

It was not just a struggle for self -statement by the fear he experienced in his weakness in having to confront the tyrant, but a sweet farewell to his beloved Lady McDuff (Alicia Gomez), in the act of being washed and dressed for her before he left, because they sense that o not be seen again.

Without Surely, this was one of the jobs I have taken them further in the investigation of myself in relation to the construction of a character and the risk of exposing the scene.

Now, video:

Monogram For Names Tattoos

video of the play MACBETH

In September 2003 the company premiered in Madrid THE pimp this adaptation of the Shakespearean classic in a version very sui-generis. The Argentine Gabriel Molina (director and psychologist), we proposed from the beginning an atmosphere dark where all the characters have gone into a state of insomnia from the hubris the tyrant Macbeth to seize power after spilling blood.

The title "F51.4 MACBETH" denotes the nature of psychopathy identified in psychiatric international code on the index F51.4 as "terrors night ". Individuals suffering from this disease have difficulty sleeping and constant hallucinations that end up destroying the ability of rest. Based on this idea we made the character of each character. The kingdom is in Candle and the only remedy is to annihilate the "spell" that has settled over Scotland with the arrival of Macbeth to power.

The weapons of war were daily sharps (axes, knives, sickles, pitchforks etc.). Elements close to any citizen, denoting the danger or the "double edge" behind the psyche of every human being ("Freudian" apart).

For the costumes, working with collective proposals and suggestions Benani Kenza costumer, but later was I who gave a definitive line to the clothing (on all the male characters). We talked about the decadent aesthetic we wanted, but also a point that we needed to bring us to the contemporary without rubbing in the obvious. We decided to work with leather, so for weeks we were collecting used clothing of this material. We saw the risk of appearing to other proposals and widely used (eg MAD MAX or STAR WARS), where symbols and designs come together easily recognizable by the subconscious. At this point I decided to study the traditional costumes of the Scots warriors of the time. With this inspiration I took an old leather jacket that my friend Richard gave me the day I left Barcelona to search for life in Madrid. It was a subject dear to me for all the implications that had, for joining me in the first, difficult weeks of my arrival in this city four years ago. Without neglecting the original design of the pieces, I was tearing at each side, leaving only unions in certain places to transform the old jacket on a coat eighties war. The arms ended up being the top of boots or shoes shin guards that extended to the knees, sewn onto the legs of trousers cut olive green guerilla (another former sidekick) and gave my character (McDuff) a air of rebellion, in contrast with the tight jeans garnet color Macbeth (Agustín Tomás Soria) and jackets as it transformed both Banquo (John Aguilar), in black.

For me it was a great pleasure to discover how a garment could give new meaning to everyday life in a theatrical costume appears to be of an era lost in time. I still top of my "battle dress" and the clasp that held the end of the neck, consisting of a brass piece that was part of a belt of my ex-partner Itzel, and which also armé part of the story of my character. When I studied the costumes of the era and later, I learned that men who started the battle, despite being poor, tried to carry a buttercup to-if-perish in combat, be transferred to their land and buried with dignity by covering expenses that button. Thus was born the idea of \u200b\u200bproviding McDuff of this brooch.

The metaphor of the transformation of old and worn my clothes in the garb of a warrior, gave me a very peculiar momentum that was developed during the trials in the axis of the outer structure of my character. A seemingly weak vassal (fragile, thin as my constitution), ended up being the engine of the rebellion, supported by the murdered king's son, Malcolm (Iñigo of the Church).

Soon I will offer you the video of my participation in this production.

Mens Designer Luggage

F51.4 video of the work complete short

Hi

Here I am back after a month without posting.

The truth is that my last days in the "mother country" were very active. working, visiting friends, renewing common b. Links must be found.

Back home I found that the rains had washed away with the last roof waterproofing Aleyda room, so we had to get down to work with the repair.

already installed again in my city, I work to pick up the pace of work, and of course the publication of this blog.

Here we serve (at last) the images edited excerpts from my collaboration in the work COAST, which canceled some saw the possibility of a comeback in the Hellenic theater this year as scheduled. I think for those who did not see it, this is now the only way to show them what was the job.

I put here some interesting links to various sites that we did review of the past two seasons:

http://teatropanico.blogspot.com / 2006_05_01_archive.html

http://www.filmeweb.net/magazine.asp?id=487

http://www.lacuartapared.com/01Abril_2007/litoral.html

And of course the video:

Enjoy!

A Very English Fetish Trailer

COAST NEXT MONDAY

Navigating YouTube, I found that Oscar Gual Sargantana good INC. upload and complete the short "The next Monday."

Here I serve it in two parts. (The first takes a little patience to start ...)

For more information about this job, go to the area below this blog, to the VIDEO section.

Thanks Oscar!

__________________________________________________

PART

___________________________________

PART

___________________________________________

The Martin Luna assistant director, gives me directions while filming in the restaurant "Uva Rara" in Madrid while I am characterized by Alicia Sánchez.

Wiring Diagram For Light And Sensor

URGENT: hackers attack

Outraged, powerless and angry, I received this morning the news of the attack on the blog of our beloved Alejandro Aura. Hate to know how they are spending some "people" by the plain desire to destroy they are not capable of building.

can destroy our spaces, but never COMMUNICATING NETWORKS.

Courage and forth. All we have and to lose is fear, and if we lose we will be more free than ever.

transcribe the text of emails sent by Alexander:
"Last night we suffered a terrorist attack that was to occupy the space of the blog and my email address from a Colombian activists.
They claim seems, rights to freedom of expression that they, of course, do not respect. They say they have closed my blog for the communist. We go to them the comments space to try to make them see it was a mistake and handled our messages appropriating and putting my name as they wanted to undermine the tone of our claim. We have the tools necessary to get into a fight that is not our role or interest. I just know manage computer resources and Miracles is light years away from having the knowledge of a hacker. Our heart also goes for those territories not sordid. We are committed to a cause of life and joy. And we'll keep it. In good spirits.
The truth is that I felt horrible for running out of my page without any reason, by the treachery of some braveros passing by hitting who are faced with the only argument that can do it in cold blood and with impunity.

I have the same hotmail address for at least eight years now and have to change because I stole the password, which was the same he did the blog. Do not send me messages at that address until further notice. They want to write something do it here, plis.

another page will open today (Miracles and built it) and other e-mail account in gmail but we have no assurance that we will not re-invaded. In this case again use this medium. Or another. For now, búsquennos with these signs while seeking something to replace the term shielding feel how bad our situation outside the battle. We shielded
linen, cotton, lodito, better: in the costume for you. "

How To Use Bushnell 3200 Tactical

Chapter THIRTEEN FEARS 5

few months ago I was part of the cast of the Mexican series of terror" 13 Fears. "It's an initiative to rescue the concept of" the appointed time, which many will remember, and that included the participation of novice directors, who are now internationally recognized (Alfonso Cuaron and Guillermo del Toro, among others ).

The most interesting of the format, in my opinion is that shooting in 16mm, which gives an image quality and care in lighting and photography are welcomed in Mexican television. Perhaps the weakest point are the scripts. I can not say much, because I saw two programs before coming to Spain and I could not follow it closely.

Either way, it is undeniable quality of production, made by Televisa LEMON FILMS 5. Rovzar brothers are doing much to talk and driving with their proposals a change in the way of watching TV. Hopefully the last experiment and begin producing more of this level.

Marcelo Galván THIRTEEN FEARS

_____________________________________________________________

Here is a part of the chapter in which I participated. I must say that I liked was the characterization. Put in the hands of Roberto Ortiz and his team (especially for the kindness and talent of Francesca and Harry) has been quite an adventure. Roberto Ortiz has been responsible for the design of makeup major projects such as "Kilometer 31" and "Out of Heaven." It has also been part of the crew of Characterizing in "Apocalypto."

characterization made for me by the team of Roberto Ortiz

_____________________________________________________________

not forget to visit the page of this Wizard of characterization, which is on par with the best makeup effects creator: http://www.maquillajefx.com/

Watch the video and give me your opinion. 0:18 in the second eye, then right there you see me attacking the lamp, dear Henry, played by the Arreola ( "Duck Season" or "Blue Eyelids" -inter-). It's just a second, but is impressive. This and other times I have slowed down a bit to appreciate more my actions.

I hope you enjoy!

Cheap Solo Dance Costumes Lyrical

of tenderness and Wills

few hours ago I wrote my sister Gabi. He knows that I'm traveling and I'm not very good. Says it has made the runes thinking of me (she's a little witch and I love her for that too)

I transcribed reading ... and has hit the mark. Has given me the spirit that I needed to overcome the "setbacks" on this trip.

I was so excited and without thinking or structure anything I wrote the following:

And or just ask a little bit of tenderness in every day,

a friendly smile and a look that I transferred

to download my defenses.

And or just be so you ask,

I hopelessly

I begin to be.

And or just ask to say what I did wrong

without feeling that you judge me.

And or just ask you to tell me your flaws

to mourn with you

and love more to share that too.

And or just ask for you love and compassion

because you are me

and that the two ...

beats the Universe

Romantic Love Making Clips

De Bilogías decommissioning

sweating Awakening

plant pose

look up

and drool

___________________

Clarify staring at the ceiling

urinating at the seaside

Run the water for my skin

not know the mirror

________________

EAT

SWALLOWING

DIGEST

stool (again)

SOLO __________

WET DRY

DRESS

PERFUME

ONLY _________

EXIT

WALK

lose track

Relapse

SQUIRTING

MOURN

ONLY ________

DRY McQueen

CLEAN

SORRY

ONLY _________

REVIVIR

OK

REVESTIR

ARMOURED

and walk again

_____ WALK

WALK ________

__________ WALK

FOR CENTURIES

_______ (SOLO)

and live

HAPPY

------- BUT

-------- INEXORABLE

---- --------- GROSS

--------------- TIRED

----- -------------- AND ONLY

always alone

Thompson Travelling Sprinkler

already had told them of how joyful it was my first appearance in a cultural activity in Madrid now that I'm over here. Well, yesterday evening I went to witness the closing of the 7 th Ibero-American Film Festival "La Chimenea de Villaverde. A day earlier, I could see one of the films in competition: THE OTHER SIDE , Mexican Gustavo Loza. And frankly, hoped to bring some recognition because I liked a lot. Sure, I was unable to attend the screenings and had no other references to judge. But if the winners are as endearing as I saw, it sure has been a festival of high quality.

the beginning of the function that was also attended English A short film (a contest) called "The Mirror", last night emerged as the winner of the Audience Award in the category. That if I do not understand ... but ... everyone tastes. The audio seemed pretty badly managed, with desynchronizations in dialogue and / or bad dubbing them (especially the actress Alfonsa Rosso, a lady of English cinema to where his career is shown). Then the story was interesting, but I went as usual ... and that is that I am very sure "sangrona" as we say in Mexico but they do not believe a single word to some actors who "say say", but are not saying anything (the cantinflas Valgame I'm doing!). Tristán Ulloa appears "right" in his role as friend of the painter protagonist, however, I keep feel uncomfortable. I had the feeling that he had been invited, putting a character forced to have a "name sign". Than others (and here I podeís cut throat) do not speak, because I fell asleep after 5 minutes of onset. I have also done many short films and "mediocremetrajes", so I understand that sometimes comes out well and sometimes badly. Do not blame anything its producers (Lili Valerio Cabrera and Scallops), because I know what it takes to build a small project it may be. What never ceases to amaze me is that the public have voted as the best. As I could not see the other, I'll shut up ... but if, as the spectators, it was good, then how would the others! ... Or is ... perhaps the public is satisfied with things which its plot promises to be "interesting" but then have no technical and artistic rigor?. If someone saw it and liked comenteme (or fusíleme).

THE OTHER SIDE caught me after a while (less than five minutes.) The first "but" (Paste) that I put, almost without realizing it, was dictated by prejudice, as Gustavo Loza studied at the Universidad Iberoamericana (in the "Ibero" it), not (as I wanted ubiera) CUEC or CCC. I said and I stress the mea culpa: a mere prejudice that made me believe that a "strawberry Ibero" would not be able to tell with sufficient fidelity and emotion 3 stories of immigration that appears in his film, and-as I - would be far from reality, not only of a private university graduate, but even some of the students in public film careers. Then I noticed the wall to see the beautiful way Loza, with a narrative similar to Inarritu-Arriaga in "Babel", is presenting three stories of children with immigrant parents in three different corners of the world, and when, almost without noticing it caught me and left "dumbfounded" by the freshness of the performances of all smaller than the star. Now I've searched a bit more about it I understand. Gustavo was the producer of the children's channel bar 11 (Strawberry nothing true and substantial content as long) as well as director of programming it. Seldom can see kids act so funny, but also with such dramatic intensity and clarity in the construction of a character. Nor is worth mentioning the excellent work of my friend IGNACIO GUADALUPE (I went at first to see the movie just to see the work of Nacho). But I also look very effective performances Hector Suarez, Vanessa Bauche, Susana González and Carmen Maura. The English Silke is the least liked (much stereotypical "junkie" and little truth in the face and gesture).

I do recommend THE OTHER SIDE, and I would have liked to see it succeed.

that if you took the prize for best performance was doubly MORE THAN ANYTHING IN THE WORLD of the peasants Andres Leon Becker and Javier Solar Cortés. Urbini Julia Elizabeth Cervantes and received the award for best performance, worth 6,000 euros. Congratulations!

This year's festival was dedicated to a country, but do not have a big film production, if it occupies an important place in society in Spain, as its citizens make up one of the communities large immigrant here. As I write I hear the conversations in the phone booth behind me. I'm in an internet cafe with parlor. Most of these voices I hear excited, nagging, giving shipping instructions money etc.. as well as the man who served me to get on the desktop, they invariably focus of Ecuador. The president of the jury in Villaverde was on this occasion the Ecuadorian director Viviana Cordero, who thrilled last night gave the award to honor all of its land immigrants who live in Spain. The Municipal Council of Villaverde, who was sworn into office that morning, also devoted his speech on immigration and promised that during his fight for the integration of English and immigrants in his district.

It was very exciting to see the dances and music of country Andean offered by the ballet Quitus . Three choreographies in total, divided between the awards. The second in particular struck me. Three couples in their traditional dress. Them with some leather chaps (with llama or alpaca guess) and some bells so fine that sounded like a shower of golden needles in the air while walking. However, at the beginning of the dance, the power plant on stage, flights of doubles and triples ponchos and reverb of the music, they made a tremendous contrast with the sound of walking slushy moments before. I felt transported to some ancient time, where the dialogue between man, land, water and the sky was the code of everyday existence. A wonderful force invaded my heart and my eyes were wet again and see what is hidden from us all the time and only appears in times of revelation. How beautiful would that art managed to join together, and merge approach beyond the borders!. And it is happening, is happening ...

Contento (and slightly drunk) got out of the way to Plaza de Villaverde Spain to meet my dear friend, the actor, playwright, director, photographer .... and waiter ... Peruvian Carlos mayor ... and I will tell of the projects.

Long Latin American cinema life!

Average Cost Of Braces In Ontario 2010

FIREPLACE IS WELL THERE WAS

As " know, I'm in Madrid last Monday. Just turned 36 years old - lteralmente in the air, I came to this land full of wonder of all colors. Here I keep many emotions. Among them, the poet, director, actor and friend Alejandro Aura, which featured the very day his book 12 IS HERE AS WELL within the collection Mexican Calamus, published by Friends of Editorial Calamus and the National Institute of Fine Arts and Literature at the Instituto Cervantes of Madrid.

Since leaving the airport Benito Juárez in DF, I knew that the first cultural activity would attend this holiday in Spain would be it. Isabel was encouraged to accompany me, and while waiting at the door of Cervantes in Alcalá street, I approached an old acquaintance ... "What a joy Rico, but to -Almost three years have not seen you!". Inside, more familiar faces made me remove the files from the memory and affections. The poet Tomás Segovia and his partner Ma Luisa Capella, always so loving, Henry and Alexander Krauss, just as I landed, Milagros, who was astonished to see me there ... It was as if they simply had not spent years and many things had changed since I went back to Mexico more than two years.

And there was Alexander, left side-groups, right-actor of the table looking with smiling that smile, expectant also I looked . I could not help but remember the first time I sat beside him to read in public in 2001. He had been appointed some time ago director of Mexico Instituto in Spain, an official body to represent the culture and arts of our country abroad. Alexander had been before as director of the Cultural Institute of Mexico City, where he promoted, among many other initiatives, " libroclubes" (book clubs that formed in neighborhoods with donations of volumes, where readings were aloud and other activities aimed to promote a taste for books). Alejandro himself participated in a club called "The Auras" where, sometimes accompanied by other friends read everything for everyone. Now I remember having seen how amazed years ago in Madrid, Alejandro, in a display of virtuosity , read (or should I say "played") in two unforgettable days of work "Pawns of a House" by Sor Juana the soliiito , you !!!... All the fun characters tangle of our Golden Mexican paraded through the voice, face and hands of Alejandro actor-reader who kept us and atentísimos Sometimes parties in our chairs laughing.

WELL HERE IS , was the "third of the afternoon, so we listen carefully to the presentations that preceded it:" In the morning, between the shadow the wind ", by José-Miguel Ullán and" My life with the dog "by Francisco Hernández . But I must confess that at times I was distracted, browsing WELL HERE IS , Kico that had happened to Elizabeth and that I signed up third for taste, even before being read by its author, some lines. An Aura, intimate and simple, transparent, straightforward (but by no means lacking in sympathy in everyday life), he returned to thrill from the paper how last November, when we gave a preview of the book at the opening of a library with his name in Mexico , DF But I needed to hear the living voice reciting his own poetry, so do not read more, to receive it again face to face, by word of mouth, hand to eye, wonderment amazement . July Trujillo made a beautiful presentation of Alexander and his book, which worth reading. Here is the link for the look:

http://alejandroaura.blogspot.com/2007/06/bienvenida-por-julio-trujillo-alejandro . html

At one point in his speech, Trujillo confessed his love for the blog of Alexander, taking a roll of cardboard extended over your head with the name well clarito : http://alejandroaura.blogspot.com

I loved the detail, as the solemnity took a little bit, starting with apartments above my head.

There, I get excited just before the start of the intervention Ale ... and I think "this, as we , is on course for the blog and I approach, as I discreetly take a picture on the side where was Alexander ... but I caught ... just when did "click" (and I turn the flash off to avoid being "cantoso") He turned to me with wide smile and said "llegaastee!" and I (inside) "earth swallow me!" I must have put a thousand colors, but was "worse" when a second after Alexander explained: "This is Marcelo Galván. It's those who say the time and place and you say` I'm on another continent, but if I can get 'And coming!. Thanks for being here. " And I embarrassed, but very excited for the love of Alexander to a server, so evident in "banking site," as he called the hall where we were, "Thank you."

And I can not to say "thanks" for reading Alexander's book, the words of the author and the way in which he says, are still-days-a balm of love of life and joy in the memory of those two brief encounters that both City and Madrid have lived. Yesterday, in his blog, mentioned the story with enthusiasm, it flatters me and what moves me. From here, in Madrid, where he is so good, excited and go hug a tribute to Alejandro Aura and his new book.

not miss IS WELL HERE. Alejandro says that stakeholders in Spain you can go to the bookstore Hyperion, because that Ernesto Lumbreras said, the responsible editor, who had left copies for sale.

well worth!

Burtonjacket Light Camo

A "Golum" Latino METRO MADRID MADRID Elections

three days ago (just closing my first 36 laps of the sun), came once more to Madrid. Overcome with some nervousness, after receiving the news about the new requirements to enter Spain for non-Europeans. Following the procedure used in migration, I was approached by a plainclothes officer asked me the papers and asked some questions. I worried, as he, quite relaxed and majete, reviewed the ad hoc and urgent "invitation letter" that Elizabeth sent me a passport and cards, letting out a sly and mischievous miradilla a girl passing (which I thanked him, as well diverted his eyes from my face, which probably would panic at the time)

Isa Outside waiting for me, wrapped in a beautiful lime green summer dress which highlighted the beauty their eyes. Even without digesting all of a sudden we were both here again, I set off jubilant in their company. We decided to take the subway. I talked about what it means to be rich in Madrid, a city where you can walk to late at night through the streets, late nights, up, down, come and go without worrying too much about almost anything ... Suddenly I felt a strange movement in the right pocket of his trousers. I took my hand and oh, surprise, I found a couple of fingers that feeling agile and invisible trying to steal my wallet and that there had been few euros. I did not think for a second, instinctively 'get' the pair of appendages offenders who were hiding among the fabric of a jacket that's roughly dressed. I did the memory of a similar situation in Mexico City, where I twisted the fingers of the thief until it scream. Instantly I had a feeling incredibly similar to then, a kind of deja-vu "lived all over the body and consciousness simultaneously. I was filled with a decision and a rather unusual energy (for forcing the topic but otherwise, I'm an actor actually quite shy, insecure and doubtful when I'm not on stage). Strong and determined voice said something like, "Where you going, mate?", To which the aforementioned responded with a mock evil face of innocence. I do not remember that he said, but I know I was a babbling nervous and shaking under my charge. The way he said it was my confirmation that tried to steal. Perhaps professional bias, but I tend to pay more attention to the "how" things are said in the "what." The man was revealed to me with his involuntary confession. Sadly, I discovered that it was not English, and though he spoke quite low, I realized that it was a Latin American. I confess that I was filled with rage. With loud voice I said that one man was trying to get me out the portfolio for the whole car to find out. We came to a station, and the subject could not quite make it to shrink in a gesture much like "Golum" embarrassed and angry and leave the train.

Isabel and I stayed in one piece. I made efforts to control the impending earthquake that hit me was following the adrenaline. A woman smiling face of "ho, that things look over there!" and the convoy resumed its march.

In the distance I reflect on what happened and I can not stop thinking about the irony of life. I felt uncomfortable with the legal requirements to enter Spain, and within minutes of being "interrogated" in Barajas, a Latin America Latin America was trying to rob another, confirming that behave well are not trustworthy in the eyes of the immigration authorities. Shame and embarrassment for me

This man, whom I knew not to place his accent ("Argentina?," Uruguayan?, "Mestizo Ecuadorian or Colombian?) Do not know where I have thought coming ... since then, did he know it "chilango." Or never lived in Mexico, or never won on the subway from there. Because, of course, did not have that "deefeños" We live very alert for thieves who are everywhere and we identified almost forever.

Chrome Formica Table Parts To Restore

short

Without doubt, the policy is part (like it or not) of the material that makes up the artist's vision. Or at least should be. I clearly remember some lessons and living theater, "in which lovable teachers stressed the need for us to live aware of today: " You can not create without taking into account that most closely touches our daily lives, we are first people, then artists. "

Madrid is a city where I lived for over five years. A city that I learned to know, enjoy and sometimes suffer. No easy life abroad. It is not easy trying to break through as an artist in another culture. But when you have been joys and hardships, disappointments and triumphs, laughter and crying in a strange land, we inevitably feel that this place belongs to us and somehow, in a place very near the heart.

As an immigrant, in those years, I was denied interfering in politics, voting etc. But that did not stop coming into contact with social reality, as an immigrant or not, live each day in your work, in streets with friends, in our everyday relations with people.

In Madrid, I experienced firsthand the intolerant immigration policies of the Popular Party, lived days of confusion, fear and helplessness before the terrorist attacks of Atocha, Santa Eugenia and El Pozo, I witnessed popular demonstrations as "No War" and "Never Again (Prestige case)" and saw how the PSOE became the government in a wave of enthusiasm and hope for change.

Madrid interest me as much as my native city. I that a city is its people. And people, voters or not, deserves respect, respect for his intelligence, his ability to analyze and interpret their environment, respect you decide; respect to protest, denounce and express opinions about their leaders when they fail to meet fully its functions .

Madrid, which has been my home for those five years, now lives a disputed election, after the scandal sparked by the debate of candidates for the PSOE, Miguel Sebastian, and the PP, Alberto Ruiz Gallardon.

At the debate, issued May 16 by English TV, it was clear that the current mayor, Ruiz Gallardon chose, astutely, to divert attention to specific questions "turning the tables" to be the victim of a "personal attack" when asked about Miguel Sebastian about his relationship with indicted by the case, "Malaya" . Gallardón not appear to realize that other citizens, other than their opposition PSOE, ordinary citizens can apply the same civic and political reasoning that Sebastian and asks how he did.

Days earlier, the dirty war against the election campaign of Miguel Sebastian, had sparked a scandal when the ex-president the National Securities Market Commission (CNMV), Manuel Conthe, claimed that when Sebastian ran the Economic Office of the Presidency of the Government, it orchestrated a campaign to remove cloudy amid the chairman of BBVA. To date no concrete evidence has been provided and there is nothing to prove the alleged guilt feacientemente Sebastian.

With this background, Madrid must now choose between a mayor-candidate beating victim, who was indebted to the city with its urban megalomania (such as the M-30), and a candidate with social proposals , creating areas for living and improving the quality of life of ordinary citizens, whose "greatest mistake" was to challenge the current mayor about his relations with suspected criminals.

I would think that Madrid, that city in the distance still feel close, will be able to imagine today a new governance paradigm, where the important again be your people, not preferential treatment for entrepreneurs eager building land. I believe that the influence of television, the manipulation of information and ad nauseam, will not make a dent in the honest voters, who seek real change, but that led to discouragement, confusion and apathy cause dirty campaigning, could abstain or choose the "devil you know is better than good to know."
Go
a hug from Madrid to Madrid also believe that change is possible, to those who believe that Madrid is made up of people, not concrete and parking meters.

___________________________________________________

Here a video to judge for yourself @ s this process

Pokemon Gold Rom Vba Cheat

New blog post: BEST INVENTION YOU

Héchenle a darling in this short film shot in 2004 in Madrid, under the direction of Jesus Amaro. It is a strange story, as it was the filming. A bit bizarre, but done with much enthusiasm and heart.

for the first time I built a character in film. Jesus allowed Alicia Gomez and I work in various settings of the script and ideas. We enjoyed it very much. They were very special days. I will tell you.

certainly a job that changed my life.

For now enjoy.

Amaro Thanks!
_______________________________________________
Search for "Best invention I" in the VIDEO section of this page